Coloring books have been present on most children’s growing up years. They’ve been told to color within the lines, but there have been instances that “coloring out of the lines” has proven to be a success.
Kids begin with crayons of all sizes. Then they progress to other materials such coloring pens, coloring pencils, water colors (with all the brushes), oil, acrylic, etc. A comic’s scope can be increased by using color, which transforms each panel from a two-dimensional graphic into a doorway into a complex, detailed world. Like a song, the color in those panels can flow together to establish the tempo.
Mood, the time of day, a shift in the landscape, image planes, and depth of field can all be conveyed through color. Without bombarding the reader with language or needing to depict every detail of a scene, color can be a terrific visual shorthand to assist them understand what is happening. You may know it is morning by something as basic as a golden background and blue shadows.
A story can have more weight if it is written in a hyper-realistic, detailed manner with lots of grit, texture, stubble, and other such details, as opposed to a straightforward manner that allows the reader to mentally fill in some details and speeds up the reading process.
Many colorists, both experienced and novice, worry that their color should disappear to make the line work stand out. By using shadow lines, color patterns, and other techniques, color may be a terrific tool for drawing the reader’s attention. There are numerous standards, such as blue or desaturated tones, which imply peace or melancholy, while orange or green may allude to the presence of hazardous substances in the atmosphere. An intense crimson indicates an impending danger.
A color shorthand can be a terrific method to help the reader comprehend what is going outside of and between the panels as well as aid distinguish between different scenes.
Before modern technology
In the earlier days, there have been many materials used to bring colors to everything—from charcoal to fruits and fruit peels, to oils, and anything else in their pantry they could get color from. As time and technology progressed, so did the techniques and resources for coloring, especially for professionals.
Today, a lot of coloring for commercial comics is done via computer. Even though it’s still done by a person using a computer, coloring is frequently more adaptable and simple to make with tools like Illustrator and Photoshop.
Quite a lot of people have gone without the physical coloring materials and have opted for digital, brought about by the applications found online.